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THE VERTICAL LEAP
BECOMING A FULL STACK FILMMAKER FOR VERTICAL DRAMA
Writing • Production • AI • Real-Time • Growth
The Shift
The Industry has moved vertical
Shorter formats. Faster Interaction. AI accelerates the entire pipeline.
The Opportunity
A vertical series is a lab for IP
Low cost. Fast testing. Instant audience feedback.
The most successful genre are some version of telenovelas - a language that has a long standing tradition in the Latin Community.
Latinx Advantage
Speakers
Luz Orlando Brennan
Luz Orlando Brennan is an Argentina-based, award-winning filmmaker, writer, and creative producer whose work spans live-action, animation, and hybrid formats. She wrote, directed, and produced La Estrella que Perdí, which won Best Feature at Cine Las Américas 2025, and was selected at major international festivals.
Her credits include Muerte en Buenos Aires, the Berlinale-selected El Prófugo, the internationally screened short En Crítica, and the Annecy-recognized animated short Dior. Most recently, her co-directed animated project won the Premio Madrid Film Office at MIANIMA 2025. With formal training from ENERC and UBA, Luz brings a multidisciplinary creative vision and a strong international festival track record.
Director, Writer, Producer
Ezequiel Asnaghi
Ezequiel Asnaghi is a seasoned producer and screenwriter with over two decades of experience across the entertainment and creative industries. Based between Los Angeles and Buenos Aires, he has led and delivered projects worldwide, spanning the U.S., Europe, Asia, and Latin America. He is the founder of Make Unit, a company focused on developing high-quality, innovative content across film, interactive media, and experiential formats.
His portfolio includes feature films, immersive exhibitions, VR experiences, and cutting-edge digital storytelling. Notable credits include executive producing La Estrella Que Perdí; serving as senior producer on Game of Thrones: Beyond the Wall VR for HBO at Framestore, which received an Emmy Awards nomination; leading content production for the Science Museum London exhibition Science Fiction: Journey to the Edge of Imagination; producing the permanent art installation Objeto Do Tempo for SESI in Brazil; and developing multiple innovation-focused projects in collaboration with Google.
Producer, Writer, Actor
Brand Builder
Matthias Metternich
Matthias Metternich is a brand builder who learned growth across the full stack — algorithm, influencers, affiliates, and retail. As CEO of Kiala, he helped build the #1 greens brand on TikTok and Amazon through relentless testing, a network of 5,000+ affiliates, and treating every scroll as a conversion event.
Previously, he co-founded Art of Sport alongside Kobe Bryant and five other pro athletes, scaling from launch to 30,000 retail doors through 500+ influencers, hyper-local campaigns, billboards, podcasts, radio, and remnant media — whatever it took to drive footfall. His work sits at the intersection of content, community, and commerce — where attention is earned by any means necessary.
Global Marketing Specialist
Carina Haller
Carina Haller is a co-producer of the Los Angeles Brazilian Film Festival (LABRFF), now in its 18th season, and a seasoned digital marketing executive specializing in film and interactive entertainment. She has led and supported marketing campaigns for major studio titles including Barbie, Dune, and Minecraft at Warner Bros., as well as iconic video game franchises such as World of Warcraft and Pac-Man.
A film enthusiast and strategic marketer, Carina is deeply engaged in digital innovation and in crafting impactful campaigns that connect diverse content with global audiences.
Why are we using vertical dramas as an example?
Market Size Growth
The global vertical drama market was valued at ~US $4.17 billion in 2024 and is projected to reach ~US $8.42 billion by 2031.
Daily Engagement with Short-Form Video
Users spend an average of ~45 minutes per session.
Microdrama Platform Usage
As of 2025, dedicated vertical series platforms like My Drama have reached 40 million+ users globally, with many new banner platforms launching and 1 million+ monthly installs.
Legacy Media Is Leaning In
Major traditional players are responding: at CES 2026, Disney+ announced mobile-oriented vertical video integration into its platform.
New Economics
Serialized short dramas are monetized through freemium, subscription, and micro-payments
Platforms are increasingly using AI tools to test story concepts and predict engagement
Traditional TV/film producers are exploring verticals as proof-of-concept pipelines before scaling to longer formats
Full Stack Filmmaker
Writing
Production
Brand Building & Growth
Ai Collab
Writing
Writing for vertical drama
Hooks and super hooks
Melodrama, melodrama and… erm… melodrama
Producing
Vertical production cycle
The Toolkit
Full stack budgets
Brand Building
Build your brand
Getting those eyeballs
The full stack marketeer
Extended universe
Ai Collab
Build me a pitch deck
Expand a story
Build a teaser
Build a marketing plan